Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we will no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Origami facile
Kent du Pre has done Avion En Papier Propulsé Avec Un Elastique such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, nevertheless the most extreme form only occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the Avion En Papier Qui Vole Longtemps other to avoid the complexities of a model achieved only by folding.
Fleur origami
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has recently been used and one can be certain of the materials remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated by Yoshizawa Un Bateau En Papier De 20m De Long Qui Flotte at a Convention in Liverpool. Another method of wet moulding using paste in the preparation is discussed by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and we are approaching figurine rather than Origami.
Bateau en papier
The particular associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the pet and then brought with each other. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a monster from a number of pieces of different sizes.
Comment faire un avion en papier
In the most extreme combinations of water
and paper we are, naturally , in the world of papier-mache which is obviously an open-ended art. DecoratingThe simplest step from your single color is one side female and one white or plain. A great package of modern Origami uses this colour difference. A new delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Origami Flower Box Japanese papers which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The trimming out of holes and so forth. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called Mon Bateau De Papier Musique this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form organic beef use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. One of the most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.
